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In late August, the ¼«ËÙÁùºÏ²Ê¿ª½±½á¹û Museum of Art was first out of the Pacific Standard Time gate with the lead installment of its three-part survey, "It Happened at ¼«ËÙÁùºÏ²Ê¿ª½±½á¹û: Art at the Edge of Los Angeles, 1969-1973." The exhibition was modest in size but surprisingly rich in implications. Not the least of its virtues, especially in our bigger-is-better era of art extravaganzas, was the vivid demonstration that a small college art museum can have a big impact if a keen intelligence is at work.